Does the future look bright? Or are we entering digital dark times? Image is a photo of a poster taken in Ravensburg, September 2021. The original image is from Benni Erbsland from the Erwegung fur Radikale Empathie (Movement for Radical Empathy) based out of Stuttgart: https://bewegung-fuer-radikale-empathie.de/benni-erbsland/

Digital dark times: Salaries in digital preservation

The Serpentine is one of the world’s most renowned art galleries. Their exhibitions as varied as Gerhard Richter, Damien Hirst, and Marina Abramović. They don’t hold a permanent collection, instead, they provide a space for temporary collections and an annual pavilion, the pavilion designed by luminaries such as Zaha Hadid, Frank Gehry, and Ai Weiwei.

Given a recent job posting it looks like they are looking at maintaining their memory better and branching out into digital preservation.

Here’s the kicker — its salary band is GBP 35,000 to GBP 38,000. So it must be an entry level position, especially in London, right?

Well, let’s see what they want you to do for that price tag…

Loading

What we could do with a second life…

Cleaning up some posts today for clarity or for improving their appearance in ActivityPub instances I didn’t want to lose this quote introduced to us at Archives New Zealand in a visit from Verne Harris back in 2017. It represents the need for a second life to apply all of the lessons learned in this one – in the GLAM sector, everything we learn getting up to speed, to learn how to work within our institutional boundaries, to align with corporate strategy, or just to hustle to have our work recognized and valued.

My colleague Andrea references the quote a lot and I am often reaching to recall it.

We work in the dark – we do what we can – we give what we have. Our doubt is our passion, and our passion is our task. The rest is the madness of art. – Henry James, The Middle Years

Loading

Follow

Get every new post delivered to your Inbox

Join other followers: