Digital Humanities Archives - ross spencer :: exponentialdecay.digipres

The Painter Goblin becomes corporeal by having its prints converted from digital to canvas in real life. In this image, the Painter Goblin canvases arer bathed in sunlight provided by a west-facing window around sunset. The grid used to display the Painter Goblin in a salon style shadowed by the window frame onto the wall. The light in this image has been enhanced to increase its saturation to mirror the vibrancy of The Painter Goblin's original image.

The Painter Goblin: Becoming Corporeal

When you move country you have to be prepared to change quite a lot about your life. Back at the end of 2020, apart from literally everything else going on my partner and I also moved from Canada to Germany.

For me, this was my fifth or so international move (including shorter temporary stays) in as many years.

Being able to pick up sticks and move like that means living a drastically minimized life. Most of the things you have fit in a suitcase. Most of the things you have are small, and largely not overly whimsical. Sure, you can fit a few treasures into your bag, but you learn to value small ones, not things you might otherwise use to decorate an entire apartment!!

So, what do you do when you do have an apartment to decorate?

You ask the best known painter in your family to conjure some magic, The Painter Goblin!

Turning NASA Wake-up Calls into data

For a while back then I was into space flight again. Scientists, science communicators, and engineers were all excited for a new era of rocket launches and the potential unification of the human race as we look towards the future.

During that time I discovered Colin Fries’ work in the NASA History Division to document all NASA “Wake-up calls”. A wake-up call is simply a piece of music used to wake astronauts on missions, a different piece of music, daily, for the duration of the flight.

Take, for example, the last Space Shuttle mission (Space Transportation System) STS-135; it was in flight for 13 days, and the wake-up call on day one was Coldplay’s Viva la Vida, while on day 13 it was Kate Smith singing God Bless America.

As a huge music buff who has the radio or music television on 18 hours a day, I really wanted to delve into this further. While Colin’s work is great, it’s just a PDF file (@wtfpdf). A PDF is not an ideal file format for querying data and gleaning new insights. So, while I wanted to explore it, I first decided to turn it into a true dataset. The result was a set of resources, a website, a JSON, a CSV, and an SQLite database which are each more functional and more maintainable over time.

Lets take a look at the results and https://nasawakeupcalls.github.io below!

Crayola's 1997 Techno Brite crayon set with color names created to market the Crayola website, including names featured here such as World Wide Web Yellow, Point and Click Green, and Cyber Space Orange

Looking after your URLs: tikalinkextract eight years on

We might not have a second life, but what if I told you there was a second internet? Not the deep web, but another web that we engage with nearly every day?

Think about it, that QR code you scanned for more information? That payment link you followed on your electricity bill? The website you’re told to visit at the end of a television ad?

The antipodes of the internet are these terminal endpoints, material and not necessarily material objects that represent the end of the freely navigable web — the QR code on a concert poster is the web printed onto the physical world. There is every chance it will be scanned and followed by someone from a mobile device, but it’s a transient object, something that will exist for a short amount of time, and then disappear into the palimpsest of the poster board or wall it was pasted on until it eventually disappears.

This is part of the materiality of the internet that has long fascinated me. Perhaps it comes from being a student of material culture, but if we look around, we see the Internet everywhere!

"Bei der Buche", a landscape architectural installation by landscape architect and photographer Karina Raeck. Created in 1993 in the Wartberg area north-east of Stuttgart.

wikidata + mediawiki = wikidata + provenance == wikiprov

Today I want to showcase a Wikidata proof of concept that I developed as part of my work integrating Siegfried and Wikidata.

That work is wikiprov a utility to augment Wikidata results in JSON with the Wikidata revision history.

For siegfried it means that we can showcase the source of the results being returned by an identification without having to go directly back to Wikidata, this might mean more exposure for individuals contributing to Wikidata. We also provide access to a standard permalink where records contributing to a format identification are fixed at their last edit. Because Wikidata is more mutable than a resource like PRONOM this gives us the best chance of understanding differences in results if we are comparing siegfried+Wikidata results side-by-side.

I am interested to hear your thoughts on the results of the work. Lets go into more detail below.

Silver birth tree in Ravensburg featuring its characteristic eye-like bark.

Code as memory?

It is very poetic to think about code as it containing the memory of its maintainers. I don’t entirely disagree with the idea, but it’s overly poetic and the reality of maintenance on systems that have become too unwieldy is anything but poetic.

What I will miss about Twitter

People seem to be moving. You’ll find me on Mastodon and BlueSky.

As I happened to be looking through some 2015 archives today, I made notes of the things I will miss.

twitter walls twitter sentiment analysis twitter graphs twitter bots twitter history and its use for activism twitter history and its use for emergent trends twitter knowledge base and advance search twitter serendipity

The history books will be pretty unbelievable when they come to write about it. It may never come back, but it did exist. And it was fun, not until it lasted, because it lasted too long, but until it was no fun no more.

Using a custom Wikibase with Siegfried

In March I was invited by the LD4 Wikidata Affinity Group to talk about my experiences using Wikibase with Siegfried, the file format identification tool. I don’t think I’ve talked about that work on here before but you can find links to my iPRES talk on my ORCID page.

Let’s look at the abstract and the content of the talk below.

OPFCON: How has OPF contributed to the international digital preservation community? Where would this community be without OPF?

Last Wednesday and in another life, pre-COVID pandemic, I would have been visiting Vienna again. I visited for the digital preservation conference iPRES for the first time in 2010, and lived there for a short period of time last year.

Now, we’re in the midst of a pandemic and the Open Preservation Foundation (OPF) 10th Anniversary Event could not happen in person but the OPF found a way anyway, and so 9-10 June 2020 became the online event OPFCON.

Fortunate enough have an abstract of mine be considered worthy of a panel towards the end of the event I was able to reflect on the last 10 years. My notes on those and the panel can be found below.

Header for my talk at the Vienna Institute for Historical Research, reflecting on community and self-development in digital preservation. I touch upon, among other things, community, recognizing privilege, and finding value and meaning in digital records.

Digital preservation at the coalface: or how I learned that glamping doesn’t always involve the vast wilderness

The last Friday of March this year, I was invited by Elizabeth Kata at the IAEA (International Atomic Energy Agency) to give a presentation at the Vienna Institute for Historical Research (Institut für Österreichische Geschichtsforschung). I don’t have a transcript for that day or a complete set of notes that I followed, but here is the essence of the talk. In it, Reflecting on community and self-development in digital preservation; I touch upon, among other things, community, recognizing privilege, and finding value and meaning in digital records.

I began and ended the talk by singing two Waiata, an important part of my previous role at Archives New Zealand.

Te Manaaki taonga

Te Manaaki taonga
E whakarauika ana I te tini e
E ranga ana I te tira
Hei huruhuru moo te manu ka rere
Hei Poutuumaaro mo te kainga
Tuituinga koorero tuituinga tangata
Manaaki taaonga manaaki tangata
(Tane chant: Tuituinga koorero tuituinga tangata.
Manaaki taaonga manaki tangata – Hi!)
(Last time Wahine join chant: manaaki tangata – Hi!)

The value/prestige in protecting treasures
They gather/connect the people like the gathering of fish
They weave the party/masses
To be like feathers of a bird that takes flight
To be a strong pillar for our home
The sewing of stories, the sewing of people
The protection of treasures the protection of people

Color Theory: What’s the deal with the palettes I’m using?

Following a recent conversation, I wanted to write this blog to add some final pieces of context to my current interest in color palettes.

Binary Numbers

The Binary Numbers project was changed earlier this year following Trump’s inauguration. The original was inspired by simple musings on Data as Art. It was updated again in 2014 after the work had stalled due to technical reasons. I increased the complexity of the images, and incorporated Heritage Color Palettes.

But the end of last year and the beginning of this were exhausting. Two months were spent in protest:

But it seems that this alone was not able to tear the wheels off a tanker in Tienanmen Square… and so I decided on something uplifting. For myself, and for the viewer.

Cinema Palettes was a fantastic Twitter account that takes a scene (not necessarily iconic) from a film and analyses the scene’s colors, presenting back to us, the palette used.

I had been following it for a while and I became curious as to what I might be able to do with it in the configuration of my Binary Numbers.

And so from January this year I adapted the Cinema Palettes concept into this work starting with 50 new color palettes.

Category: Digital Humanities

The Painter Goblin: Becoming Corporeal

Turning NASA Wake-up Calls into data

Looking after your URLs: tikalinkextract eight years on

wikidata + mediawiki = wikidata + provenance == wikiprov

Code as memory?

Using a custom Wikibase with Siegfried

OPFCON: How has OPF contributed to the international digital preservation community? Where would this community be without OPF?

Digital preservation at the coalface: or how I learned that glamping doesn’t always involve the vast wilderness

Te Manaaki taonga

Color Theory: What’s the deal with the palettes I’m using?

Binary Numbers

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