ross spencer :: exponentialdecay.digipres :: blog
Digital preservation analyst, researcher, and software developer
In March I was invited by the LD4 Wikidata Affinity Group to talk about my experiences using Wikibase with Siegfried, the file format identification tool. I don’t think I’ve talked about that work on here before but you can find links to my iPRES talk on my ORCID page.
Let’s look at the abstract and the content of the talk below.
In early 2022, I was finally able to get around to writing a paper that I had been thinking about for the better part of a decade. The paper, “Fractal in Detail: What Information Is in a File Format Identification Report?” was published in the Code4Lib journal Issue 53.
The paper takes a deep dive into the fractal contents of file format identification reports exported from tools like Siegfried and DROID.
Let’s take a brief look the article and its contents below.
It was back in May, yes, way back when, that Jordan Hale of the Information Maintainers group put the following to me:
I write today to ask if you’d be interested in being our special guest on the next Information Maintainers call … we thought your perspective on working within and maintaining decentralized, small-group systems and development infrastructures would be really rad to hear about. What do you think?
I am a big fan of the Information Maintainers and so I was pretty stoked to be asked. Of course, I jumped at the chance and wrote about “Something something twenty years open source…”
The last Friday of March this year, I was invited by Elizabeth Kata at the IAEA (International Atomic Energy Agency) to give a presentation at the Vienna Institute for Historical Research (Institut für Österreichische Geschichtsforschung). I don’t have a transcript for that day or a complete set of notes that I followed, but here is the essence of the talk. In it, Reflecting on community and self-development in digital preservation; I touch upon, among other things, community, recognizing privilege, and finding value and meaning in digital records.
I began and ended the talk by singing two Waiata, an important part of my previous role at Archives New Zealand.
Te Manaaki taonga
E whakarauika ana I te tini e
E ranga ana I te tira
Hei huruhuru moo te manu ka rere
Hei Poutuumaaro mo te kainga
Tuituinga koorero tuituinga tangata
Manaaki taaonga manaaki tangata
(Tane chant: Tuituinga koorero tuituinga tangata.
Manaaki taaonga manaki tangata – Hi!)
(Last time Wahine join chant: manaaki tangata – Hi!)
The value/prestige in protecting treasures
They gather/connect the people like the gathering of fish
They weave the party/masses
To be like feathers of a bird that takes flight
To be a strong pillar for our home
The sewing of stories, the sewing of people
The protection of treasures the protection of people
Back in 2017, I had an abstract accepted for a chapter in the ALCTS Monograph: Digital Preservation in Libraries: Preparing for a Sustainable Future. With my author’s copy now available, I take a look at the background and its genesis below. The complete monograph is a fascinating read with some great contributors. You can find it online at the ALA Store.
This week (beginning 7 August 2017) marks my second solo published peer-reviewed paper. Binary trees? Automatically identifying the links between born-digital records. I invite everyone to have a read and let me know what you think.
The paper won the Sigrid McCausland Emerging Writers Award late in 2018.
Read the paper and additional thoughts below.
Following the previous posts, bringing this all together meant three different applications.
paintergoblin.py – creates the images, can be run standalonewikigoblin.py – retrieves data to tweet from the Wikidata SPARQL servicestwittergoblin.py – tweets for us! Either a random Wikidata image or from am existing Wikidata linkWe create Tweetable information using the wikigoblin. We perform the Tweet using twittergoblin. In between the paintergoblin has to create his art!
We’ve seen examples of the images from the original zine.
How do we turn this concept into something real, and automated?
Continuing the story of the Painter Goblin and following part one, the idea of a Twitter bot started to form earlier this year.
In part 2 I take a very brief look at what is needed to write a bot and get it publishing.
Learn more below.
Digital preservation is massively multi-disciplinary and it can take time to be able to grasp the skills and concepts cross-discipline, wherever you began your own training.
How do we develop the skills of new folk entering the field today?
How do we re-skill those who have worked in GLAM a long time in disciplines other than digital preservation?
These are questions I think about a lot. I dig into some of those thoughts below and take a look at one approach I worked on for students and very early-career professionals with flashcards using Brainscape.