File Formats As Emoji (0xFFAE or 0xffae) might be my most random file format hack yet. Indeed, it is a random page generator! But it generates random pages of file formats represented as Emoji.
The idea came in 2016 with radare releasing a new version that supported an emoji hexdump. I wondered whether I could do something fun combining file formats and the radare output to create a web-page.
Along came a spare moment one weekend, some pyscript, and bit of sqlite, et voilà. File Formats as Emoji (0xFFAE) was made a reality.
Like bricks and mortar in the building industry, or oil and acrylic for a painter, a primitive helps a software developer to create increasingly more complex software, from your shell scripts, to entire digital preservation systems.
Primitives also help us to create file formats, as we’ve seen with the Eyeglass example I have presented previously, the file format is at its most fundamental level a representation of a data structure as a binary stream, that can be read out of the data structure onto disk, and likewise from disk to a data structure from code.
For the file format developer we have at our disposal all of the primitives that the software developer has, and like them, we also have “file formats” (as we tend to understand them in digital preservation terms) that serve as our primitives as well.
In December I asked “What will you bitflip today?” Not long after, Johan’s (@bitsgalore) Digtial Dark Age Crew released its long lost hidden single Y2K — well, I couldn’t resist corrupting it.
Fixity is an interesting property enabled by digital technologies. Checksums allow us to demonstrate mathematically that a file has not been changed. An often cited definition of fixity is:
Fixity, in the preservation sense, means the assurance that a digital file has remained unchanged, i.e. fixed — Bailey (2014)
It’s very much linked to the concept of integrity. A UNESCO definition of which:
The state of being whole, uncorrupted and free of unauthorized and undocumented changes.
Integrity is massively important at this time in history. It gives us the guarantees we need that digital objects we work with aren’t harboring their own sinister secrets in the form of malware and other potentially damaging payloads.
These values are contingent on bit-level preservation, the field of digital preservation largely assumes this; that we will be able to look after our content without losing information. As feasible as this may be these days, what happens if we lose some information? Where does authenticity come into play?
Through corrupting Y2K, I took time to reflect on integrity versus authenticity, as well as create some interesting glitched outputs. I also uncovered what may be the first audio that reveals what the Millennium Bug itself may have sounded like! Keen to hear it? Read on to find out more.
I want to let you into a secret: I enjoy corruption. Corrupting digital objects leads to undefined behavior (C++’s definition is fun). And flipping bits in objects can tell us something both about the fragility, and robustness of our digital files and the applications that work with them.
I had a pull-request for bitflip accepted the other day. Bitflip is by Antoine Grondin and is a simple utility for flipping bits in digital files. I wrote in my COPTR entry for it that it reminds me of shotGun by Manfred Thaller. The utility is exceptionally easy to use (and of course update and maintain written in Golang) and has some nice features for flipping individual bits or a uniform percentage of bits across a digital file.
My pull-request was a simple one updating Goreleaser and its GitHub workflow to provide binaries for Windows and FreeBSD. I only needed to use Windows for a short amount of time thankfully, but it’s an environment I believe is prevalent for a lot of digital preservationists in corporate IT environments.
Bitflip is a useful utility to improve your testing of digital preservation systems, or simply for outreach, but let’s have a quick look at it in action.
A great write up from Francesca at TNA about the past year for PRONOM via Georgia at the OPF.
It’s great to see the continuing work including vital translation of guides into other languages. Francesca includes a couple of shout outs to some pieces I have contributed in my spare time this year; including a collaborative workshop with Francesca, David, and Tyler at iPRES2024.
It is very poetic to think about code as it containing the memory of its maintainers. I don’t entirely disagree with the idea, but it’s overly poetic and the reality of maintenance on systems that have become too unwieldy is anything but poetic.
Tyler’s recent blog post for the PRONOM Hack-a-thon Week 2024 (my previous for this week), brought up an interesting point about two of PRONOM’s oldest outline records, Real Video Clip (fmt/204) and Real Video (x-fmt/277). How did they end up in PRONOM?
Wikidata is a good service, Wikibase (on which Wikidata is built) is a better platform.
I have spoken before about its potential to be added into the file-format registry ecosystem in a federated model.
If we are to use it as a registry that can perhaps complement the pipelines going into PRONOM, e.g. in vendor’s digital preservation platforms such as the Rosetta Format Library, a Wikidata should be able to output different serializations of signature file for tools such as Siegfried, DROID or FIDO.
